CLONE.LLC — FUTURE ARCHVIZ / SHIPPING

booting //

CL

CLONE.LLC FUTURE ARCHVIZ

№ 0024 — MAX→WEB SPECIMEN SHIPPING

LIVE / DISPATCH 04 · 2026

STATUS— BOOTING — FPS—

№ 01 · WORKDOSSIER · 5 ENTRIES

Selected
shipments.

A short list of crates that left the yard. Most live behind NDA — the ones below have been declassified for the dispatch.

01

RAPHAEL — INTERIORS Confidential / Archviz / 2025 / Lead pipeline + lighting

SHIPPED

02

BLACKWOOD — CINEMATIC Confidential / Game / 2025 / TD + scene capture

CRATED

03

OSAKA MOTORS — CAMPAIGN Toyo Studio / 2024 / Real-time pipeline + shaders

SHIPPED

04

FAR / RANGE Internal R&D / 2024 / Volumetric capture + TSL

The yard,
opened up.

The tools that move the work. Some are public, some get there. All of them point at one idea: scenes should move freely between the place they're authored and the browser they're seen in.

M

maxjs

3ds Max plugin embedding a Three.js viewer via WebView2. Same scene, two backends — live editing inside Max, snapshot export to the open web. Layer-aware, non-destructive, binary-fast.

PUBLIC SOON

⌗

3dsmax-mcp

Model Context Protocol server for 3ds Max — gives AI agents real-time read/write access to the running scene. Inspect, modify, capture, render. Built for Claude, model-agnostic.

PUBLIC

▟

snapshot exporter

Binary scene format (scene.bin + snapshot.json) and a hand-written runtime wrapper. The thing that makes this page move. Designed for 1.4 MB minimal output before scene data.

IN-FLIGHT

⊟

pipeline kit

Internal libs — TSL helpers, transform overrides, layer manager, animation timeline. Some of it lands in maxjs, some stays studio-side.

INTERNAL

№ 03 · ABOUTSHORT BIOGRAPHY

Studio of
two ideas.

CLONE is a one-person atelier moving between 3ds Max, Three.js, and the in-between layer that lets one talk to the other. We make tools because the tools we needed didn't ship.

The work is split between archviz commissions and the runtime they rely on. Both are produced under the same roof, by the same hands, with the same opinion: the file you author and the page someone visits should be the same scene — not a translation, not an export, the actual scene.

Real-time isn't a backend choice. It's a constraint that forces the rest of the studio to be honest. If a scene runs at 60 fps in a browser, the lighting decisions were good. If it doesn't, they weren't.

Coordinates

STUDIONEW YORK / İSTANBUL
FOUNDEDMMXXIV
STACK3DSMAX · MAXJS · THREE.JS
LICENCEOPEN-SOURCE WHEN READY

Note

/ Don't translate the scene. Carry it.

№ 04 · CONTACTOPEN BERTH

Send a
cargo brief.

Real estate, automotive, film, R&D, studios that want to show their work in a browser without giving up on the look. Drop a note.

EMAILhi@clone.llc

TELEGRAM@clone_llc

X@clone_llc

BERTHNYC · IST

⚠ STATUSYARD OPEN · DUST EXPECTED

Under
construction.

The site is being assembled in public. The yard is open, but the dispatch is still loading. Expect dust, moving parts, and the occasional boom.

Now shipping

SCENELIVE / SPECIMEN № 0024
RENDERERWEBGL2 / WEBGPU
PIPELINE3DSMAX → MAXJS → THREE.JS

In flight

WORKCASE STUDIES BEING DECLASSIFIED
TOOLSMAXJS PUBLIC RELEASE
WRITINGNOTES ON BINARY-OVER-DELTA

Crated for later

OPEN SOURCEMAXJS · 3DSMAX-MCP
DOCSFIELD MANUAL · DISPATCH GUIDE
BERTHNYC · IST